BACKPULVER is an independent initiative born in 2019 with the primary goal of enhancing the quality of contemporary dance training in Vienna and fostering a professional platform for peer-to-peer artistic exchange. Central to BACKPULVER's mission is the exploration of peer-to-peer feedback methods within artistic practice, alongside a continuous inquiry into how feedback can cultivate shared artistic knowledge within the Viennese performing arts community.
BACKPULVER addresses critical questions, such as:
How can the circulation of artistic knowledge and opportunities for in-depth collegial exchange thrive beyond artistic production frameworks?
What methods can nurture a shared culture of constructive inquiry to sustainably support professional development within the local artistic community?
What mechanisms can be implemented to document artistic exchange and make its processes
publicly accessible?
How can we encourage the circulation of artistic knowledge across generations?
TEAM
Alberto Cissello
Alberto Cissello is a dance artist and Feldenkrais Method© trainee dedicated to exploring choreography, teaching, and artistic research as spaces for shared movement experiences. In 2019, he co-founded the initiative BACKPULVER, a platform supported by the City of Vienna for artistic peer-to-peer exchange within the local dance and performance scene. That same year, he began a choreographic collaboration with Martina De Dominicis and developed works for ZZT Cologne and the MUK – University of Music and Performing Arts Vienna. In December 2025, he created his first solo work Point Fixe, co-produced by WUK Performing Arts and funded by the City of Vienna. The performance addresses the experience of quietness as horror vacui and its social and cultural implications. As a performer, Alberto has worked with CieLaroque/Helene Weinzierl, Daphna Horenczyk, and Eva-Maria Schaller, among others.
Sara De Santis
is a choreographer, performer, and lecturer based between Vienna and Rome. Her artistic practice explores the intersections of body, memory, and technology, moving fluidly between contemporary dance, digital arts, and site-specific performance. After earning a degree in Anthropology from La Sapienza University of Rome (2009) and a MA in Choreography from the National Academy of Dance in Rome (2012), she continued her research across Europe and India, integrating somatic practices such as Gyrotonic® and yoga. She is currently an artist and lecturer at the University of Applied Arts Vienna (Angewandte), where she teaches and curates projects within the Department of Digital Arts, actively developing transdisciplinary formats. In 2019, she founded Backpulver, an independent initiative created to foster peer exchange and advanced professional training in dance. Her work has been presented in numerous international festivals and venues, including Frascati Theater (Netherlands), Figurentheater-Festival Erlangen (Germany), TEDx (Austria), Fascinating Festival (United Kingdom), and the National Academy of Dance (Italy).
Martina De Dominicis
Martina De Dominicis is a Vienna-based performer and choreographer. Her practice moves between self-initiated works and collaborative projects. She enjoys the dynamics of shared authorship and values process-oriented approaches. In her work, she explores the tension between the somatic and the formal – between what is felt and what can be communicated. She often works with dance scores that speculate on and attempt to embody the felt sense of other bodies. She is passionate about historical and conceptual ideas of the body, its representations, and the beliefs we attach to it. Her current research engages with in-between states of presence, using practices rooted in the sensory interplay of touch and sight. She treats performance as a porous space, where memory, historical echoes and a desire for intimacy can surface. Initially working as a neoclassical dancer across multiple European ensembles, she later collaborated, amongst others, with artists including Veza Maria Fernandez, Magdalena Forster, Michikazu Matsune, Reut Shemesh, CocoonDance, Karin Pauer, Katrin Hornek, Bruch, and Alexander Gottfarb. In 2022, Martina completed a Master’s degree in Movement Research at Anton Bruckner University, Linz.
Past & current collaborators
Agnes Schneidewind, Julia Müllner, Charlotta Ruth
Jolyane Langlois, Franziska Zauner
